Normally, I look forward to screener season. Woohoo—free movies! At least once a year, for a few weeks, my SAG dues seem to deliver a tangible benefit.
Last night was my first viewing of any of the four screeners I have (thus far) received, and it was not an auspicious beginning. Up in the Air looks like it might be a pretty enjoyable movie. Might be, that is–I couldn’t say for sure, because the DVD I got is either a faulty reproduction or some kind of Special Jigsaw Puzzle/MadLibs/stoned Director’s Cut edition.
Minor plot spoilers hereunder
But if you read it anyway, you’ll know how I felt.
My DVD’s rendering began with a phone call scene between the George Clooney and Vera Farmiga characters, in which she reprimands him for having transgressed the boundaries of what apparently had been their rather casual relationship. Cut to George in the office of his boss Jason Bateman, who lets him know that someone named Natalie has quit. Cut to George receiving his 10-million-miler status card during a flight, complete with congratulatory announcement from the flight attendant and a special sit-down visit from the pilot (Sam Elliott). Cut to aforementioned Natalie character (Anna Kendrick) taking a picture of George holding a cardboard cutout of his sister and soon-to-be-brother-in-law in front of the St. Louis Airport terminal.
“Wow,” I thought, “they’re really going all-out with this whole non-linear narrative thing. But why are the edits so abrupt? Like, with some of them coming in mid-sentence?” Read the rest of this entry »