Twin Peaks

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I’ll give you this, Lost-ies: the first season was pretty good. By the end of the second season, however, I was annoyed. I’ll give it credit for trying something different–and I use “different” here in the strictly value-neutral sense. “Different” is only different until it suddenly isn’t. Read the rest of this entry »


Clicking through Google Earth the other day I stumbled across the gallery layer of 360 Cities, a nifty site that hosts interactive, 360-degree panoramic photos of scenic locales all over the world. There were a handful of panoramas from my local area of Los Angeles, including this one of perhaps my favorite historic site in L.A.:


the Bradbury Building in Los Angeles

The photographer’s name rang a bell. Carel Struycken…
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I was just listening to an episode of the reliably interesting radio show This American Life called “Quiz Show.” The second of the episode’s three segments was about the MIT Mystery Hunt, an annual event where teams of intimidatingly brainy puzzle geeks race each other to the solution of a puzzle concocted by the previous year’s winning team. The following passage about what the reporter calls “‘A-ha!’ moments” traveled the boomerang path of irony to cause me an “A-ha!” moment of my own:

Are absolute Answers a human construct, while the underlying Truth in nature is not knowable in such terms? I was immediately reminded of the works of filmmaker David Lynch, in particular his briefly brilliant TV series Twin Peaks, which aired in the early 1990′s.

TwinPeaks

A typically atypical Twin Peaks scene.

As many will recall, the plot of the show concerned the question of who killed Laura Palmer, the high school homecoming queen in an obscure northwestern logging town. The ABC network promoted Peaks by following the “Who Shot J.R.?” paradigm, and did so quite effectively – at the outset. Lynch was in no great hurry to resolve the Laura Palmer case, sticking instead to his own distinctive style: Read the rest of this entry »