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With the possible exception of certain horror genres, “cringe” is not a word that most people hope to see in a recommendation.  Common connotations, however, often don’t tell the whole story. Consider the case of Rachel Getting Married, a movie that made me cringe for all the right reasons.  And with the right frequency – I didn’t cringe throughout, and the occasional cringes were hardly my only physical reaction to the film.  They were good ones, though, and without them I wouldn’t have made it to the fond grins and I found later.  I cringe because I care.

Anne Hathaway & Rosemarie DeWitt

I’ve attended a lot of weddings over the last decade, and at nearly every one (my own certainly included) I’ve been struck by the high-stakes atmosphere of the event. Weddings have an uncanny knack for coaxing latent agendas and resentments out of hiding places in even the most apparently harmonious families; the most that be hoped for is that the appearance of unbroken harmony is maintained in the eyes of the guests. Since most of us don’t have dysfunction-free families, throwing a wedding is a calculated gamble from the outset.

I don’t know that I’ve seen a better dramatization of this phenomenon than Rachel Getting Married. Read the rest of this entry »

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This posteris probably going to make me sound like a huge fogey, but the hell with it: this movie would have better if it had been made 20 years ago. It still wouldn’t be as good as Last Crusade, much less the original Raiders (kind of a tall order, since that was the movie that made me fall in love with movies as a kid), but it would have been better. A bit better, anyway.

Why? Because it would have pre-dated the CGI technology in which Indiana Jones and the Kingdom of the Crystal Skull overindulges. CGI, in and of itself, is no different than any other tool at the disposal of a filmmaker: it can be used skillfully, to thrilling cinematic effect (as in The Matrix, or the Lord of the Rings trilogy), but it can also be overemphasized, to the detriment of essentials like plot and character development (the lamentable Star Wars prequel trilogy). Crystal Skull is nowhere near as bad as the latter, but it falls well short of the former.
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