audio clips

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ac-dc_then_&_nowWhen I was a clean-cut suburban kid in my late single-digit years, I used to be afraid of AC/DC fans. Nowadays, hearing strains of the landmark Australian hard rockers’ “Highway to Hell” or “Back in Black” makes me nostalgic for a time simple enough for music to actually seem scary. To be fair, though, back in those days AC/DC did cultivate a somewhat malevolent image; these days, I imagine they’re mostly grateful to still get paid big money to travel the world and play to arenas full of screaming fans. In the image at right I attempt to juxtapose their former menace with the relative cuddliness of their current state.

For the uninitiated, here’s a clip of AC/DC’s best-known song:

AC/DC, “You Shook Me All Night Long” (clip)

If the prospect of still touring after 37 years seemed unlikely, the notion that AC/DC’s music would be given a second incarnation by a bluegrass tribute band calling itself Hayseed Dixie must have been even more farfetched. Read the rest of this entry »

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I know. I thought it too: “Really? That song?” I’m sure there are plenty of you out there who have thought you’d be perfectly content to never hear it again. On the other hand, there may be some who either can’t recall or somehow escaped hearing Britney Spears’ original rendition. So if you’re curious, here’s a taste.

Britney Spears, “Oops! …I Did It Again”

But check it out — this synthetic, plasticized swan is improbably re-shaped into an ugly-in-a-good-way duckling by the British folk-rock journeyman Richard Thompson. His vocal approach — aggressive, and more than a little bitter — turns kittenish teen-pop into a sardonic challenge. To cap it off, Thompson bends the song to his will with his virtuosic guitar interludes, at one point even shifting it temporarily into 6/8 time. All in all, it’s been enough to banish the Britney Spears version from my mind’s ear… but I don’t purport to predict its effect on others. Judge for yourselves: Read the rest of this entry »

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I’ve always had a particular delight for cover renditions of popular songs. Not just any old covers, though: I mean covers that take chances. Covers that risk taking a song in a completely new direction. Maybe the new version is a surprising genre shift, or an imaginative re-orchestration, or is seemingly chopped up and re-assembled, it all comes down to one definitive cliché: if it works, it works.

Here then is the first of what will be an ongoing series of posts called Got You Covered, showcasing audio clips of some of my favorite cover tracks. Future installments will appear at no particular time interval… but they will appear, I promise you. I have about 20 tracks lined up to use — I just prefer to spread ‘em out instead of running through all of them at once.

Many of you are surely familiar with Led Zeppelin’s driving, semi-orchestral song “Kashmir.” It is one of the band’s quintessential tracks — eight and a half sprawling minutes of wailing, mystical Led Zep bombast. If you’re not familiar with it, here’s about 30 seconds:

Led Zeppelin, “Kashmir” (clip)

haimovitz-cbgbCovering this hard-rockin’ bad boy of a tune are Matt Haimovitz and his all-cello band, Uccello. That’s right, nothing but cellos.

Here’s the backstory: a child prodigy on the instrument, Haimovitz was a world-class cello soloist by his mid-teens. He traveled the globe to play concert dates with the world’s most prestigious orchestras, and signed a rich recording contract. Soon, however, he began to feel stifled by both the limited traditional solo repertoire and the staid nature of the classical music business. In more recent years he has left behind the concert halls in favor of small clubs or cafes — venues where you’d normally expect to hear unsigned local bands or singer-songwriters — with the goal of bringing his music straight to audiences our age and younger. To illustrate this spirit, I selected the photo at left of him playing at the legendary New York punk-rock club CBGB (now sadly defunct). A more detailed account of his career and other details can be read in this 2004 New York Times feature story. In addition to his alternative-space performing schedule, Haimovitz now teaches music at McGill University in Montréal, Quebec.

Clumsy Grab for Second-Degree Glory

Not included in the NYT article is the fact that Matt Haimovitz and yours truly played AYSO soccer against each other for a season or two back when we were 7 or 8 years old. I remember that he was fast, and a dangerous goal-scoring threat. I also clearly recall the distinctive rapid-fire stream of encouragement his father would yell from the sideline. Parents who cheered with extreme enthusiasm were far from unusual, but Mr. Haimovitz rolled out uninterrupted flows of exhortation lasting several minutes on end. That kind of breath control is just freaky. The constancy of his presto agitato exclamations was mirrored by the relentless speed of Matty’s play on the field. Good times.

But enough of my nostalgia — let’s get to the cello shredding. Please welcome Matt Haimovitz and Uccello, with special guests Constantinople and DJ Olive.

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You can get the MP3 of “Kashmir” for $0.99 at Amazon. There are Matt Haimovitz artist pages at Amazon and CDBaby. Haimovitz’s independent record label is Oxingale Records, which has a nice web site as well as a YouTube channel. Finally, Matt’s own home on the web is (you guessed it) www.matthaimovitz.com.

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I’ll give you this, Lost-ies: the first season was pretty good. By the end of the second season, however, I was annoyed. I’ll give it credit for trying something different–and I use “different” here in the strictly value-neutral sense. “Different” is only different until it suddenly isn’t. Read the rest of this entry »

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The moment you’ve all been waiting for has arrived. Here it is, the thrilling conclusion of the quiz from Sergio Leone and the Infield Fly Rule which I began in the post before this one. Let’s get right to the action:

  1. Best Film of 1979.
    Absolutely, definitely, and unequivocally Manhattan.
    play
  2. Most realistic and/or sincere depiction of small-town life in the movies.
    The one that made the biggest impression on me was All the Real Girls.
  3. Best horror movie creature (non-giant division).
    Read the rest of this entry »

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